Noosha Golab was born in Tehran, Iran and is currently based in Southern California. Although she professionally trained as a graphic and jewellery designer, she looked for something with a little more freedom as a change from her previously intense lifestyle, which led her to start painting. Noosha’s works are non-representational. She uses form, shape, colour, and texture—essential elements in visual art—to express her feelings, views and her unique way of perception.

By seeking out new techniques and materials, experimenting with different colour palettes, or playing with scale and composition, she creates a sense of movement and depth. By combining these elements with her minimalistic approach, she is able to create work that is both striking and nuanced, inviting the viewer to engage with the piece on multiple levels.

Can you tell us a little bit about you?

My name is Noosha Golab. I am an artist currently residing with my husband and my dog in Orange County, Southern California. Originally hailing from Tehran, Iran. I got a degree in Graphic Design and Jewellery Design, reflecting my lifelong passion for the realms of design, architecture, and artistic expression. Recently, I have been immersing myself in the world of drawing as an emerging artist, right from the cozy confines of my small studio nestled within the heart of my home, where I feel a profound sense of fulfilment, knowing that I am pursuing my passion.

What is your artistic process and how has it evolved since you began painting?

My artistic endeavours are deeply rooted in the beauty of nature, a constant source of inspiration that surrounds me here in Orange County. From the winding trails to the expansive ocean vistas, every aspect of my environment informs the forms and patterns that grace my paintings. In my creative process, I find myself drawn to the tactile nature of charcoal and pastels on paper. These materials serve as my primary tools, allowing me to translate the essence of the natural world onto my canvas. With each stroke, I build layers of color and texture, blending them seamlessly with the touch of my bare finger. This tactile approach fosters a sense of intimacy between myself and the artwork, allowing me to intuitively navigate the canvas and bring forth the subtle nuances of color and shading. By employing my finger as a tool of expression, I achieve a more organic and authentic result, imbuing my paintings with a sense of natural beauty that resonates with viewers. Ultimately, my goal is to capture the inherent beauty of the world around me and share it with others through my art. It is a process of discovery and connection, where each stroke of charcoal and pastel becomes a testament to the profound beauty that surrounds us.

What prompted you to make the switch from graphic and jewellery design to painting?

Upon relocating to the United States in 2011, I embarked on a career as a jewellery designer, earning recognition with features in esteemed publications such as Vogue and Glamour. However, amidst these achievements, I sensed a void within myself. Moments of homesickness prompted me to seek a deeper form of creative fulfilment, one that would afford me greater autonomy and a means to articulate my emotions more profoundly. Unexpectedly, the onset of the pandemic unveiled a new avenue for self-discovery: drawing. As I immersed myself in this artistic pursuit, I gradually unearthed a profound passion for the visual arts. Drawing and painting emerged as transformative outlets, imbuing me with the strength and confidence I had long sought, particularly in the context of my migration experience. I am genuinely elated to have found my true calling amidst the uncertainties of recent times. My artistic journey continues to evolve, offering me a sense of purpose and gratification that resonates deeply within me.

How important are colour and repetition to your work and what role do they play?

I believe color and repetition play crucial roles in my artwork as they are essential elements in communicating my artistic vision. Color allows me to evoke specific moods or atmospheres, where repetition creates rhythm and enhances the visual impact of my piece. They draw the viewer’s eye across the canvas and evoke emotional responses.

What excites you most about creating art?

Coming from a country where women faced numerous restrictions and limitations, art has become my sanctuary—a boundless realm where I can freely express my emotions and perspectives without constraints. With each piece I create, I am afforded the opportunity to break free from the confines of societal norms and explore the depths of my creativity. Engaging in the artistic process is not only liberating but also incredibly enriching. It allows me to continually expand my horizons, refine my skills, and discover new techniques that push the boundaries of my creativity. There is a profound sense of joy and fulfillment that accompanies the discovery of fresh ideas and innovative approaches during my drawing process. In essence, art serves as more than just a means of self-expression; it stimulates and promotes growth and empowerment.

Your earliest memory of art?

One of my earliest memories is of me creating my own drawings. Since I was a child, I've always been captivated by art. I remember spending my summers with plenty of free time, not having to worry about school. During those carefree days, I would sketch playful, cartoony characters and pair them with heartfelt letters. I'd then sneakily tuck them under my parents' or sisters' pillows as surprise gifts. My mom, in particular, adored these quirky characters, and to this day, she still holds onto some of them.

Who or what is your biggest artistic inspiration?

My artistic inspirations come from a variety of sources, both tangible and intangible. Nature definitely plays a significant role in shaping my creativity with its phenomenal seasonal color changing and its intricate patterns. Additionally, with the help of social media platforms like Instagram, I am continually inspired by the diverse array of artwork shared by past and present artists. It is a wonderful way to discover fresh perspectives and find new sources of inspiration .

Do you have a favourite artist?

Agnes Martin, Ad Reinhardt, Cy Twombly, Mark Rothko, Sean Scully, Joan Miro, Park Seo……… These are the few ones that I recall, but I do have a lot of favourite artists .

What is your favourite book or film and why?

“The Grand Budapest Hotel”. I think it is visually stunning with meticulously crafted sets, vibrant colors and elaborate costumes. The movie is characterized by symmetrical compositions and whimsical details. I like its quirky characters, each with their own unique eccentricities and charming roles. Overall, the movie exemplifies Wes Anderson’s distinctive filmmaking style, characterized by its thorough attention to detail, whimsical aesthetics, and offbeat humour.

Are you working on any new projects you are particularly excited about?

I am currently collaborating with a select group of artists on an exciting project. Each of us has been given a small board as a canvas, we are tasked with creating individual pieces that showcase our unique artistic styles. The goal is to curate a cohesive series that highlights the diverse skills within our group in upcoming exhibitions.

Noosha Golab - Instagram

Noosha Golab - Website